Crispy (2025)
The Series «Crispy» reflects my confession that the most honest way to address the truth-like substance is not to seek it externally in photography, but to reveal and narrate the shell from both the front and back of the work. Through this exhibition, I seek to share a direct yet delicate narrative about the shell like photo image—something light and thin, crinkling and fragile, easily crushed or crumpled—with the audience.
Just After Christmas (2019)
This series results from concerns about and interests in the relativity of time and uncertainty of memories. The scenes picture Christmas parties in a small Norwegian town which seem to be on an extended pause. Photographs taken between January and March in 2019 of winter silence and the stillness were printed and staged together with the out-of-date party debris for one year, or until the
next Christmas season began. The series was presented in a solo exhibition along with video and installation works.
Second-hand Drawings (2020-2021)
This work is a series in homage of “Hang Up” by German-born American sculptor, Eva Hesse (1936–1970), and is a project for publication. It is based on photographic images that were partially captured from inside and outside the buildings in various places including deteriorating walls, floors, and ceilings. The new structures read from the photographic images are reconstructed into completely different abstract forms of plane- and three-dimensional drawings by the use of various wires, paintings, and architectural model materials.
Warm Blue Waves (2018)
This unravels my experience from the ambiguous position of being a long-term traveler and resident, staying in Busan for about five months, with the scenery and objects of Busan. While «Fantasy in Everyday Life(2017)» was intended to reconstruct the clichéd everyday landscape from a different perspective, «Warm Blue Waves» was created as a work to discover and reconstruct everyday life in an extraordinary landscape.
Untitled (2020)
This was created by printing the purchased film onto paper and glass plates, then rearranging the glass fragments on top of the printed image before photographing it again.